1922
1968
1927
Todd Hido's evocative images foreclosed homes seem to relate poetically as the expired remains of his earlier series homes at night. If architecture is not buildings but how people use them, then there is an air of crime scene like uncertainty about these abstracted compositions. Time of day or night is ambiguous and they capture the disbelieving gaze of one looking at the uncanny appearance of one's emptied house..... was this our home?
The quality of light, filtered and from without underlines their quiet redundancy, extinguished. The rooms seem to act as imperfect cameras themselves absorbing unfocused light on to their faded walls, negatives, shuttered. If the rooms have character remaining to them it seems as helpless observers to a future beyond their control. Could these be the opposite of real estate views? Todd kindly sent some further information:
For a very interesting interview with the artist where he reflects on the idea of 'home' and the process of presenting his work please see Ahorn Magazine.
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